Recent Articles
AUDIO Scopes
About Audio Scopes Traditional audio scopes are linked to the audio routing and react to the mapping of the channels. Therefore you can monitor independently channels belonging to different audio soundfields, or monitor a particular soundfield ...
Accessing the Scopes
Depending on the number of screens you are using to operate MIST or ICE Studio, you access differently the Audio and Video Scopes. Single screen mode In Single screen mode, each scope is an individual window that can be placed anywhere on the screen ...
Dolby Atmos - 2. Playback & Control
Once the Dolby Atmos file is placed on the timeline, it is ready for monitoring and real time playback. Audio rendering Configuration The Audio rendering configuration defines the audio channel output for SDI/HDMI Video IO output, and will be also ...
Dolby Atmos - 1. Import
Supported Formats MIST supports the following Atmos formats, either in stand alone or packaged with video for the DCP and IMF versions: DAMF (Dolby Atmos Master Format) BWF ADM (Broadcast Wave Format with Audio Definition Model) IAB (Immersive Audio ...
Burn-in of Subtitles in HDR
When working in HDR with subtitles files that have been created in another color space (e.g. REC 709 or P3 DCI) for Burn-in purpose, it is necessary to adjust their luminance in order to display them correctly on a HDR capable display device. The ...