ICE Live permits on the fly color up, down and cross conversions of color space.
Enable the Color conversion mode
By default, ICE Live color management is set on NATIVE, meaning that it display the video color space as per the metadata carried in the signal.
The color space information received with the signal is displayed in dark grey.
If the metadata is not correct, or for testing purposes, it is possible to force the color space using a Color Space Conversion.
-> To enable the Color Space Conversion, ICE Live's CMS (Color Management System) must be changed from NATIVE to MT CMS.
In the
Live page, choose
VIDEO > CMS > System : MTCMS
Select the new color Space
Then, select the new color space under WORKFLOW:
Some HDR input signal do not carry the Mastering Display metadata, making it impossible to automatically downconvert from HDR10 to SDR. In those cases, the Mastering display should be manually set in the DISPLAY menu.
Mastering Display
When the Mastering Display metadata are present in the signal, the details are shown in the menu DISPLAY.
When this information is not present, the Preset is set to custom and values show 0.
To Manually change the Mastering Display, select one from PRESET dropdown list:
If the desired Mastering Display is not on the list, you can always use the mode CUSTOM and enter manually the values for the Primaries.
Once the conversion is performed, all the video scopes automatically reflect the changes.
Related Articles
Burn-in of Subtitles in HDR
When working in HDR with subtitles files that have been created in another color space (e.g. REC 709 or P3 DCI) for Burn-in purpose, it is necessary to adjust their luminance in order to display them correctly on a HDR capable display device. The ...
Dual Viewport
The Dual Viewport allows you to display simultaneously two timelines for comparison purposes. Adding media on the Source Viewport The Record Viewport (right) is for the current timeline Composition, and the Source Viewport (left) is used by the ...
Dual Viewport
The Dual Viewport allows you to display simultaneously two timelines for comparison purposes. Adding media on the Source Viewport The Record Viewport (right) is for the current timeline Composition, and the Source Viewport (left) is used by the ...
Dolby Atmos - 3. Export
MIST allows you to export a Dolby Atmos file in two different ways, depending on your needs. The EXPORT function from the Media bin The MASTER DELIVERY module Export from the Master Delivery module When using the Master Delivery module, the entire ...
AUDIO Scopes
About Audio Scopes Traditional audio scopes are linked to the audio routing and react to the mapping of the channels. Therefore you can monitor independently channels belonging to different audio soundfields, or monitor a particular soundfield ...